Where does tongue-in-cheek parody end and self-exoticization begin? At what point does the Arab woman artist, stepping into the so-often imagined space of "The Harem" risk pandering to an audience that seems to have a never-ending appetite for orientalist remediations? Lebanese photographer Rania Matar's wonderful and insightful A Girl in Her Room series (capturing teenage girls in … Continue reading When Arab Women Artists “Revisit The Harem”